Favorite Movie Quotes

"Do or Do not. There is no try."
--Yoda (Star Wars)

“Frankly my dear, I don’t give a damn”
--Clark Gable (Gone with the Wind)

“We all go a little mad sometimes”
--Norman Bates (Psycho)

“My mama always said life was like a box a chocolates, never know what you’re gonna get”
--Forrest Gump (Forest Gump)

“I’ll make him an offer he can’t refuse”
--Michael Corleone (The Godfather)

“Of all the gin joints in all the towns in all the world, she walks into mine”
--Rick Blaine (casablanca)

Tuesday, November 22, 2011

#109 The Lion King

Scar: I killed Mufasa!
So I know EVERYONE has seen this one, and if you havent then your childhood must have been seriously lacking (just kidding). It is one of Disney's best films (you notice I didn't say "The Best" because I am partial to Beauty and the Beast) and it was obviously good enough to make this list alongside many other classic films. I did just watch this today so I'm not cheating and writing this from childhood memories, but since I am sure most of you have seen this movie already there isn't much summary for me to do. So let me describe what this movie means to me and why I think it should have made this list. The basic story is that Simba, the prince of pride rock, witnesses the death of his father, Mufasa, and blames himself because of the manipulation of his uncle, Scar, who was really responsible. Simba then runs away and meets a couple of quirky characters whom he lives with until he is discovered by Nala, a lioness from Pride Rock, and is convinced that he must go home to reclaim his throne. The story is pretty basic but the execution is amazing. Mufasa's death scene is by far one of the most dramatic and heartwrenching moments in film. I literally cry every time I see that moment where simba screams as mufasa falls and again when he attempts to wake him after he has died. In addition to its sad moments it has a lot of other emotional elements; there is the relationship between Mufasa and Scar which is very Claudius-esque (Hamlet), the emotional growth of the relationship between Simba and Nala who go from childhood friends to lovers and the comedic element provided by Timon and Pumba. I also love the cyclical aspect of the story. The movie has three important events that take place on Pride Rock, the first is the birth of simba, the next is the final battle where simba reclaims the throne, and finally the birth of simba's child at the end of the film. The setting seems to represent the "circle of life" and emphasizes that life always moves on and with death comes new life. I think the reason this film has appealed to so many people over so many generations is that it has the perfect blend of adult and child content. It is so good that I have seen it in theaters three different times throughout my life; first when it was originally released in 1994, again when it was done as special release in Imax in 2002, and finally again when it was in 3-D in this year. This film is iconic of our childhood as children born in the '90s and now that it has been re-released it can be a part of future generations...

Sunday, November 13, 2011

#199 Rosemary's Baby

 Rosemary Woodhouse: Witches... All of them witches! 

This film has to be one of my favorite scary movies, I love older horror because its not all about how much blood and gore we can show you or outrageous scenarios we can put our victims in it's all about the story. The who, what, and most importantly the WHY. Rosemary's Baby and other horror films of the past put the emphasis on the story and each character has a part to play. There is much more depth, in my opinion, to movies of this type. So lets give a brief summary: the movie is about a woman and her husband, who is an actor, and they are expecting a child. They move into a new apartment and everything seems to get a little strange from there. What Rosemary doesn't realize is that the plot against her started long before the move or even her pregnancy. She imagines that the neighbors are the sinister "witches" out to steal her baby, now for those of you who haven't seen I won't spoil what is really going on but suffice it to say that the end will be a bit shocking. The film poses a lot of questions, what is the price of success? and how strong is a mother's bond? to name a few. What I really love about it though are some of the supporting characters Hutch, Maurice Evans, who plays Rosemary's loyal old friend, he is charming and likable, although his part is small his role provides a lot of useful information and he is really the one great defender of Rosemary. I have so much love for Hutch and everything he does for Rosemary. The Castevets ( Ruth Gordon, Sidney Blackmer) are the characters you love to hate. They play the sinister neighbors of Rosemary and her husband Guy and are damn good at it! At first they manage to insert themselves into Rosemary's life pretty easily as just an eccentric lonely old couple but as time goes on their motives begin to be revealed and by the end they seem (at least to me) to even look different then they did in the beginning, more evil and more maniacal. Guy Woodhouse ( John Cassevetes) is also an interesting character, and by that I mean he is a total d-bag. His betrayal of Rosemary is by far the worst thing I have ever seen done to another human being. And his behavior throughout the film is extremely cowardly. Rosemary Woodhouse (Mia Farrow) has the most complex and unpredictable characters of the film. She goes through this whole ordeal almost entirely alone and learns who she can and cannot trust throughout the film. And ultimately has to decide what being a mother means to her in an unconventional situation.
Now let me hit you with some facts: Rosemary's Baby is a 1968 American horror film written and directed by Roman Polanski, based on the bestselling 1967 novel Rosemary's Baby by Ira Levin. The cast includes Mia Farrow, John Cassavetes, Ruth Gordon, Maurice Evans, Sidney Blackmer, and Charles Grodin. The American Film Institute ranked the film 9th in their 100 Years…100 Thrills list. And a scene from the movie was ranked #23 on Bravo's 100 Scariest Movie Moments

So watch it!

Monday, October 10, 2011

#68 Some Like It Hot

Cast
Marilyn Monroe
Tony Curtis
Jack Lemmon
George Raft
Joe. E Brown
This movie is one of my all time favorites and I was so excited that it made this list and I had an excuse to watch it again. The basic premise is that Joe and Jerry (Tony Curtis and Jack Lemmon) are two strugling musicians who accidentally witness a mob crime. They decide to go into hiding posing as women in an all woman band and of course find themselves in a whole mess of hilarious situations. Including Joe, falling for his bandmate Sugar (Marilyn Monroe) and developing another alias in order to woo her! While Jerry finds himself in an accidental relationship with an old millionaire, Osgood Fielding III (Joe E. Brown)! This movie is just one funny situation after another and really reminds me of an old "I love Lucy" type comedy which is a perfect mesh of physical comedy and some witty dialogue. Jack Lemmon steals the show for me in this film, although Marilyn and Tony Curtis make a handsome couple, Jack's romance with Joe is hilarious! I literally laugh out loud when I see them on their date tango dancing together and Joe's final line of the film "Well, Nobody's perfect!" cracks me up. Its the perfect way to end one of the funniest romantic comedies I have ever seen.  This was the first film I EVER watched in black and white and I enjoyed it so much that it opened my eyes to a lot of older films that I have come to love. If you have not seen it yet I strongly suggest you do.




Saturday, September 24, 2011

#72: All About Eve

 "Fasten your seatbelts, it's going to be a bumpy night!"
Cast:
Bette Davis: Margo Channing                     Hugh Marlowe: Lloyd Richards
Anne Baxter: Eve Harrington                      Gregory Ratoff: Max Fabian
George Sanders: Addison DeWitt             Thelma Ritter: Birdie
Celeste Holm: Karen Richards                     Gary Merrill: Bill Sampson
Marilyn Monroe: Miss Caswell                   Barbara Bates: Phoebe
                This story opens on an award ceremony in which Eve Harrington is receiving honors, and is narrated by who will be known later as Addison DeWitt (George Sanders). His opening sets the tone for the audience’s view of each of the individual characters; he describes who they are and their connection to the theater. The camera pans to the audience members of the ceremony and we are privy to the thoughts of the main characters. The first is Karen Richards (Celeste Holm), and her musings lead the audience into a flashback of the first time Eve was introduced into the lives of these characters.  Eve seems innocent enough when Karen notices her standing outside the theater in which Margo Channing (Bette Davis) is starring in a play written by Karen’s husband, Lloyd Richards (Hugh Marlowe). Karen takes pity on this supposed adoring fan and offers to introduce her to Margo. The flashback also provides some foreshadowing as to what is to come as Karen narrates the intro to the scene with a bitter tone.  Once Eve is brought into the theater she is asked to wait while Karen goes to speak with Margo, and the audience gets its first look at the famous actress. Margo is everything you would expect her to be; confident, sarcastic, and full of attitude but in the most endearing way. She gives the impression that she is used to getting her way and is not at all interested in meeting Eve but Karen insists. When Eve enters she is introduced to Margo, whom she fawns over ad. nausea, and Margo’s group, including: Birdie (Thelma Ritter), Lloyd, and Bill Sampson (Gary Merrill). Birdie, Margo’s assistant, seems wary of Eve from the beginning and is not all together warm towards her, but after Eve gives her backstory everyone is won over. Her story goes as follows: She has seen every one of Margo’s performances of her current play after having followed her from her play in San Francisco. Eve delivers a sob story of growing up in Wisconsin, an only child, forced to become a secretary in a brewery where she used to let her mind wander into the “world of make-believe” to deal with this grey existence. She then marries a man named Eddie, who is sent off to war; she flies to San Francisco to meet with him after a long separation only to find upon her arrival that he has died. Without the heart to return home she stays in San Francisco, where she sees Margo’s play for the first time.  This story effectively gains the sympathy of all present and inserts her into their group. Shortly after Margo invites Eve to stay with her, and the honeymoon phase of their relationship in which Margo is the princess constantly waited on and complimented by the doting and ever-humble Eve.

The first sign of trouble comes some time later when, after a performance, Eve is caught holding up Margo’s costume while play acting in front of a mirror. This gives a hint that although Eve seems to be so humble, modest, and shy she actually has plans to be in the spotlight. The next incident that throws further suspicion into Eve’s true character, is on the arrival of Bill, Margo’s boyfriend who is 8 years younger, when she is caught flirting with him which creates jealousy in Margo. This is also the first time the audience sees the vulnerability in Margo and her insecurity about the age difference between her and Bill and her age in general. The situation begins to get even more heated as Bill’s party begins, where Margo gets drunk and belligerent.  We are also introduced to Miss Caswell (Marilyn Monroe) and Max Fabian (Gregory Ratoff) at this birthday party. Everyone blames Margo for her bad behavior at the party and sympathizes with Eve and using this to her advantage Eve convinces Karen to let her be Margo’s understudy in her play. The following day Margo is meant to read with Miss Caswell as a favor to Max Fabian but upon arriving late she hears from Addison that Eve has already read and was amazing. Another argument ensues with Margo and Bill and Lloyd and again Margo is left looking like the villain. Here Karen makes the fatal mistake of deciding to teach Margo a lesson and causes her to miss her play allowing Eve to go on in her stead. This was Eve’s plan all along as well, and she revels in her success. She also attempts to seduce Bill while in costume backstage, for which she is rejected. This rejection displays yet another side to her character; she is almost insane with anger at not getting what she wanted. Still attempting to further herself at all costs she takes up with Addison, who writes some nasty things about Margo while flattering Eve. In attempt to supposedly apologize Eve contacts Karen and tries to convince her that it was all Addison and not herself at all, but after she has gained Karen’s sympathy proceeds to ask for a part written by Lloyd for Margo. When Karen refuses the true nature of Eve comes out, one of single minded determination and selfishness, she blackmails Karen with the story of her involvement in Margo missing the play which brought Eve her fame. Karen must give in to Eve’s demands or risk her friendship with Margo, so Eve is given the part, which later she receives the award for. Still manipulating to further herself, Eve decides she would like to take up with Lloyd so that he may continue to write parts for her but when Addison hears this he uses all the information he has obtained about Eve’s true upbringing and identity to blackmail her into “belonging” to him. The story ends where it began at the award ceremony with all the people Eve has used to get to the top watching as she gets what she always wanted. After the ceremony ends Eve decides to go back up to her hotel where Phoebe (Barbara Bates), her biggest fan, is waiting. The sense of de ja vu dawns on the audience that maybe this girl is another Eve, ready to claw her way to the top at any cost.
                This movie was very entertaining, full of fast talking dramatics so common of the era. The performances were theatrical by all, especially Bette Davis and Anne Baxter. I have to say though that my favorite character was Eve, she had so many alternating moods and personas that it was a testament to Anne Baxter’s range that she could display them all so well. The film was quite scandalous and I found myself with a dropped draw a few times throughout. Definitely worth watching!

Monday, September 19, 2011

 I have decided to watch the 255 Greatest Films as compiled by combining the American Film Institute's top 100 of the last 100 years and the IMBD's list of 250 films voted by viewers. I will be watching at least one film a week and posting my opinions afterwards. I am not a film critic and everyone is welcome to disagree with what I think about these movies. The point is to watch movies I might not have seen otherwise and to have new experiences with films but that doesn't mean I will like them all. Everyone is welcome to follow and watch these movies along with me. It should be interesting... So in the words of Bette Davis, "Fasten your seatbelts. It's going to
 be a bumpy night!"